双城记，双城记它描写了什么时代的故事他揭露了哪个国家的哪个阶级的丑恶

时间：2023-01-09 22:46:17来源：整理作者：佚名投稿手机版

本文目录一览

1，双城记它描写了什么时代的故事他揭露了哪个国家的哪个阶级的丑恶
2，双城记在线阅读
3，双城记为什么叫双城记除了故事发生在两个城市以外没别的含义吗
4，有关双城记
5，双城记的作者是谁哪国人还有什么作品
6，徐小凤的双城记歌词
7，双城记的句子

1，双城记它描写了什么时代的故事他揭露了哪个国家的哪个阶级的丑恶

法国大革命时，双城是巴黎和伦敦

双城记它描写了什么时代的故事他揭露了哪个国家的哪个阶级的丑恶

2，双城记在线阅读

http://www.tianyabook.com/waiguo2005/d/digengsi/scj/中文的

双城记在线阅读

3，双城记为什么叫双城记除了故事发生在两个城市以外没别的含义吗

应该木有吧。我看过一个电视剧叫《双城生活》马伊琍演的

搜一下：双城记为什么叫双城记除了故事发生在两个城市以外没别的含义吗

双城记为什么叫双城记除了故事发生在两个城市以外没别的含义吗

4，有关双城记

这是反语：可敬=可厌改变旧的法律和习俗会触犯一些人的利益，在利益面前是没有情义可讲的，即便这个人是制定这些法律和习俗的儿子也不例外后面作者说了，这是“白痴式的顽固”，作者正是讽刺这种顽固的

5，双城记的作者是谁哪国人还有什么作品

《双城记》是19世纪英国杰出的现实主义作家查理·狄更斯的代表作，他的作品代表了19世纪英国现实主义文学的最高成就；他的主要作品还有《荒凉山庄》《艰难时世》《小杜丽》《远大前程》《我们共同的朋友》。

《双城记》的作者是英国著名作家狄更斯，还有《雾都孤儿》《大卫.科波菲尔》《艰难时世》。

6，徐小凤的双城记歌词

双城记作词：向雪怀、潘源良作曲：王杰演唱：徐小凤你可知默默又一年沉默里盼望你我依然望晚星困倦散落昏暗的光线如像今天眼泪偷偷暗闪脑海中是无限痴缠无尽爱意盼望与你相连但我给岁月印下一幅沧桑脸描划得失背后身经百战原你知世事每是失去了预算要接受的一刻哭笑难辨就算某日某夜是谁经过了巨变也会快乐地怀念昨天爱未变置身于大时代之前尝尽每次变幻每每失眠让这张印着往事依稀的嘴脸怀着一眶眼泪伤心串串原你知世事每是失去了预算要接受的一刻哭笑难辨就算某日某夜是谁经过了巨变也会快乐地怀念昨天原你知世事每是失去了预算要接受的一刻哭笑难辨愿你记住往事就如一切也没变你会快乐地怀念昨天爱未变http://music.baidu.com/song/7335204

双城记街角的人群聚散着离去路边的橱窗静默的呼吸午后的风吹走某一天的回忆回到了没有你的房间里播着无关你消息的tv 热气流散的咖啡有你最喜欢的香味假如说一个人远去带走了音讯留一个人在空城回忆那些残存的温度是不是你在过的证明如果把云层的轨迹当做是通往你现在所在的标记我仰望着的脸能否和你有同一种默契在两座城恋爱打开最甜蜜的距离用亲笔写下的手记为你献上这份心情在两座城恋爱此刻我依然相信在某一天某一刻可以如此微笑着和你再一次相遇照片中你不自然的表情会心的微笑在嘴角泛起而又不知为何难以发出声音习惯了本不熟悉的简讯习惯于和你交错的呼吸习惯了在晨光里回忆你夜中的话语如果能看见一个人眼里的风景犹如某日看过的电影和闪烁的画面对白在记忆中渐渐褪去多么想让意识远去再和你靠近即使自己离开身体悄悄窥探你的心是否依然在梦境在两座城恋爱双眼相视的距离微笑下隐藏的痛楚却又如此的甜蜜在两座城恋爱此刻我依然相信这每一分每一秒都有和你一起度过的唯一的意义现实边缘的梦境模糊的身影如今我终于能够看清是你这一切都是因为你在彼端呼唤的你在两座城恋爱打开最甜蜜的距离用亲笔写下的手记为你献上这份心情在两座城恋爱此刻我依然相信在某一天某一刻可以如此微笑着和你再一次相遇

7，双城记的句子

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way . . . 这是最好的时代，这是最坏的时代，是智慧的时代，这是愚蠢的时代，这是时代的信仰，这是划时代的怀疑，这是光明的季节，它是黑暗的季节，这是春天的希望，这是绝望的冬天，我们都摆在我们面前，我们没有任何关系摆在我们面前，我们都将直接向天堂，我们都将直接的其他方式。。。 A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imagin-ings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. 美好的事实反映，每个人都是由深刻的秘密和神秘的对其他人构成的，庄严的考虑，夜晚当我进入一个伟大的城市，每一个这些黑色集群都有自己的秘密，每个房间都环绕自己的秘密;在数以十万计的胸腔每一个跳动的心脏中有，在它的想像中，一个秘密离心最近！东西的可怕，甚至死亡本身，是参考了这一点。 The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the woman who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a night-cap than in it, scrawled upon a wall with his finger dipped in muddy wine-lees—blood. 未完

第一章第一段“时代”（The period）：It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way--in short, the period was so. far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. 那是最美好的时代，那是最糟糕的时代；那是智慧的年头，那是愚昧的年头；那是信仰的时期，那是怀疑的时期；那是光明的季节，那是黑暗的季节；那是希望的春天，那是失望的冬天；我们全都在直奔天堂，我们全都在直奔相反的方向--简而言之，那时跟现在非常相象，某些最喧嚣的权威坚持要用形容词的最高级来形容它。说它好，是最高级的；说它不好，也是最高级的。

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